Shon Papri

India, she now knew, would not be content staying in the background, was nobody’s wallpaper, insisted in interjecting itself into everyone’s life, meddling with it, twisting it, molding it beyond recognition. India, she had found out, was a place of political intrigue and economic corruption, a place occupied by real people with their incessantly human needs, desires, ambitions, and aspirations, and not the exotic, spiritual, mysterious entity that was a creation of the Western imagination.

— Thrity Umrigar, The Weight of Heaven: A Novel